As a result of his father's interest in music, Mark was exposed to musical styles other than rock and roll while growing up. The house record collection included everything from classical music to the popular and jazz standards of his father's era. Since Mark's father was also a guitar enthusiast, these recordings included the work of many fine guitarists
playing in these styles, and listening to these recordings deepened Mark's interest in playing guitar. Eventually, the challenge of playing jazz guitar became a strong focus for him, reinforcing his interest in the guitar associated with that musical style - the archtop.
Though he had considered an art related career, Mark finally chose to attend the Berklee College of Music, and subsequently began working as a professional musician. Maintaining a strong interest in guitars led Mark to begin building instruments in the mid 70's. In the years that followed, while continuing to work as a local musician, he built electric six-string and bass guitars and did repair work on both electric and acoustic
instruments. This work included the repair and restoration of a number of archtop guitars, which provided the basis for Mark's knowledge of these instruments and piqued his interest in building them.
Mark built his first archtop in 1988. Within a couple of years he decided to stop playing professionally to concentrate on instrument work, with the ultimate objective of building archtops full time.
Inspired by the great orchestra-style instruments, the archtop guitars Mark builds today are
among the world's finest. With their beautiful styling, excellent playability and superb acoustic quality, his instruments have quickly gained the attention of archtop enthusiasts
across the U.S. and abroad. Combining quality materials, design artistry and expert
craftsmanship, Mark produces instruments which establish him as one of today's premiere builders of acoustic archtop guitars. His work has been exhibited at the Smithsonian Museum of
American History as part of the Blue Guitar Project and has been covered in numerous
guitar related publications.